![]() Olympus' advanced amateur or intermediate grade model.Īlmost identical to the E-510 before it but this incarnation has three way Image Stabilization, improved Dynamic Range and subtle Shadow Adjustment Technology for out of the camera JPG improvements in tricky situations. However a non-articulating LCD screen reduces the usability of the Live-View facility. Together they offer the world's smallest DSLR.Į-510 - 10MP + IS & Live-View (Discontinued)Īs well specified as the E-500 before it but this incarnation is fitted with the Panasonic imager to enable Live-View and built-in Image Stabilization on the sensor, not lens based as we might have expected. Also featured with this cameras release is the 25mm x f2.8 PANCAKE lens. ![]() Small, light, portable plus Live-View - this is why Olympus dropped the C-series machines.Īlmost identical to the E-410, the E-420 offers a slightly larger LCD and a streamlined menu system. This is the new 'entry level' Olympus DSLR machine. There are other slight differences such as a larger buffer and a new RAW compression algorithm. More or less identical to the E-400 except this model has a Panasonic imager to facilitate Live View rather than the Kodak of the E-400. Complete with 2 specially designed 'Blue Band' lenses this offering will be popular with those wanting light weight and portability. At last Olympus are taking advantage of the 4/3rds promise of smaller DSLR's. Just when everyone was convinced the next model to be announced in Autumn of 2006 would be the E-1 replacement, Olympus surprised us again with the world's smallest and lightest DSLR the diminutive E-400. Showing 4/3rds cooperation it is fitted with a 7.4 MP Live-MOS imager from Panasonic, its new partner. This is the world's first DSLR camera with 'Live-View' or a live preview that is enjoyed by virtually all compact digicams. To demonstrate that innovative thinking is alive and well and living at Olympus Imaging, Japan, the company announced in Spring of 2006 the E-330. ![]() With virtually identical specifications to the E-300 it challenges the lower end offerings from Canon and Nikon. ![]() This time Olympus addresses the criticism over the rather ugly E-300 with a more conventional (but not true prism) type DSLR. Most observers expected a replacement for the E-1 but instead the E-500 was announced. In a surprise move in September 2005 Olympus caught everyone off-guard by announcing another DSLR. However, this time the critics weren't happy with the design - a flat-topped and unusual look brought about by using a Porro system rather than a prism. Sure enough, later in the year the E-300 was announced with a Kodak imager of 8.8MP utilising 8MP. It was inevitable that a response would follow. The pressure on Olympus to increase their pixel count intensified during 2004. For those of us who use the E-1 I believe there is general concensus with this view. Olympus told us then, and still insist that for digital imaging the lens is mightier than the CCD. E-1 has many fine design and engineering niceties. It was met with some critical acclaim as the expectation was for a higher MP CCD equipped camera. This was also their first SLR camera since the demise of the OM system 2000/2002. Late 2003 Olympus introduced their long awaited and first Digital SLR. : Index to Olympus DSLR cameras & lenses.Į-System E-1: The world's first true DSLR camera (Discontinued)
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